TED Theater, Soho, New York

Tuesday, September 24, 2019
New York, NY

The Event

As part of Global Goals Week, the Skoll Foundation and the United Nations Foundation are pleased to present We the Future: Accelerating Sustainable Development Solutions on September 21, 2017 at TED Theater in New York.
The Sustainable Development Goals, created in partnership with individuals around the world and adopted by world leaders at the United Nations, present a bold vision for the future: a world without poverty or hunger, in which all people have access to healthcare, education and economic opportunity, and where thriving ecosystems are protected. The 17 goals are integrated and interdependent, spanning economic, social, and environmental imperatives.
Incremental change will not manifest this new world by 2030. Such a shift requires deep, systemic change. As global leaders gather for the 72nd Session of the UN General Assembly in September, this is the moment to come together to share models that are transforming the way we approach the goals and equipping local and global leaders across sectors to accelerate achievement of the SDGs.




Together with innovators from around the globe, we will showcase and discuss bold models of systemic change that have been proven and applied on a local, regional, and global scale. A curated audience of social entrepreneurs, corporate pioneers, government innovators, artistic geniuses, and others will explore how we can learn from, strengthen, and scale the approaches that are working to create a world of sustainable peace and prosperity.


Meet the

Speakers

Click on photo to read each speaker bio.

Amina

Mohammed

Deputy Secretary-General of the United Nations



Astro

Teller

Captain of Moonshots, X





Catherine

Cheney

West Coast Correspondent, Devex



Chris

Anderson

Head Curator, TED



Debbie

Aung Din

Co-founder of Proximity Designs



Dolores

Dickson

Regional Executive Director, Camfed West Africa





Emmanuel

Jal

Musician, Actor, Author, Campaigner



Ernesto

Zedillo

Member of The Elders, Former President of Mexico



Georgie

Benardete

Co-Founder and CEO, Align17



Gillian

Caldwell

CEO, Global Witness





Governor Jerry

Brown

State of California



Her Majesty Queen Rania

Al Abdullah

Jordan



Jake

Wood

Co-founder and CEO, Team Rubicon



Jessica

Mack

Senior Director for Advocacy and Communications, Global Health Corps





Josh

Nesbit

CEO, Medic Mobile



Julie

Hanna

Executive Chair of the Board, Kiva



Kate Lloyd

Morgan

Producer, Shamba Chef; Co-Founder, Mediae



Kathy

Calvin

President & CEO, UN Foundation





Mary

Robinson

Member of The Elders, former President of Ireland, former UN High Commissioner for Human Rights



Maya

Chorengel

Senior Partner, Impact, The Rise Fund



Dr. Mehmood

Khan

Vice Chairman and Chief Scientific Officer, PepsiCo



Michael

Green

CEO, Social Progress Imperative







http://wtfuture.org/wp-content/uploads/2015/12/WTFuture-M.-Yunus.png

Professor Muhammad

Yunus

Nobel Prize Laureate; Co-Founder, YSB Global Initiatives



Dr. Orode

Doherty

Country Director, Africare Nigeria



Radha

Muthiah

CEO, Global Alliance for Clean Cookstoves





Rocky

Dawuni

GRAMMY Nominated Musician & Activist, Global Alliance for Clean Cookstoves & Rocky Dawuni Foundation



Safeena

Husain

Founder & Executive Director, Educate Girls



Sally

Osberg

President and CEO, Skoll Foundation



Shamil

Idriss

President and CEO, Search for Common Ground



Main venue

TED Theater

Soho, New York

Address

330 Hudson Street, New York, NY 10013


Email

wtfuture@skoll.org

Due to limited space, this event is by invitation only.

Save the Date

Join us on Facebook to watch our event live!

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December 1, 2020 by 0

Our Vintage P90s are wound with plain enamel wire, and we add extra mojo by winding them on the same Leesona winder that was used in the 1950s in the old Gibson factory. Both are laminated, P90 equipped, 17 inches wide, no cutaway and rosewood fingerboard. Gibson introduced this style of pickups in their early ES-150 models, which are incredibly rare and iconic guitars today. The model used for the ES-125 has a string spacing on the neck pickup of 1 15 ⁄ 16 " from high E to low E. The ES-125 also used a tapered dogear cover for their neck position pickups with a thickness of 4/16" on the treble side and 5/16" on the bass side. Both the neck and bridge pickups are drop-in replacements for any traditional Gibson-sized P90 soapbar. The double coil design we all known as the ‘humbucker’, was introduced in 1957. 1946 GIBSON Es-150 . The large, heavy pickup (weighing nearly two pounds) was primitive, but is to this day heralded for its smooth, jazzy tone. Beautiful vintage patina, exquisite sunburst. Give us a call. In 1950 the P90 transitioned to 6 adjustable poles between two Alnico 5 bar magnets. Rickenbacker pickups first appeared in lap steel electrics in the early '30s and then in the mid '30s, the Gibson ES-150, the first mass marketed electric guitar, was loaded with a unique electromagnetic bar pickup with hexagonal edges that was eventually dubbed the Charlie Christian pickup. It Produced higher output, canceled it’s own noise better, and produced less hum. This stunning 74 year old “Script Logo” Gibson Es-150 is in good condition. Now, having put in a big plug for the post-War laminated Gibsons, let me say that the pre-War, solid-topped Gibson electrics (the ES-150 and 250, in particular) are indescribably great guitars. Championed by Charlie Christian of the Benny Goodman Sextet, the ES-150 played a major role in making the guitar a "lead" instrument. The ES-300 was the top of the line for electrics immediately post war whereas the ES-150 (post war, not CC unit) was a more economical model (no binding on the neck until 1950 then binding until 1956)). AFAIK it's cosmetic. Feb 7, 2015 - The Gibson ES-150 electric guitar has an important place in the company's history: it was one of the first successful guitars in the ES line, or the More information Vintage RARE Gibson ES 150 1947 Sunburst P90 Origina Geib Hardshell Case | Reverb.com. The ES-175’s combination of single cutaway and P90 pickup was one Gibson would repeat in the LP Junior and elsewhere, but the simplicity of the original design, with just a volume and tone knob, twin f-holes and Gibson’s trademark back-angled headstock was attractive in itself. Firstly, the P90 pickup was replaced with a 1939 Gibson Charlie Christian-style unit, "it has a very high quality of cobalt and copper which is unavailable in the world today". I had a semi-hollow ES-135 back in the mid-90s and so familiar with what P90s are about. The obvious acoustic quality of the instrument is magnified by the P90 pickup ; Great balance, dynamic range and a marvelous tone. My understanding is that the ES-150 and ES-250 models were basically L-50s with pickups installed but maybe I'm wrong (a victim of internet hearsay) and they were constructed a little differently. The pictured example is from 1948 and features a P-90 pickup instead of the blade pickup. , and Produced less hum acoustic quality of the instrument is magnified by the P90 transitioned 6. 1950 the P90 transitioned to 6 adjustable poles between two Alnico 5 bar.. Adjustable poles between two Alnico 5 bar magnets in 1950 the P90 transitioned to 6 adjustable poles between Alnico... Old “ Script Logo ” gibson ES-150 is in good condition poles between two Alnico 5 bar magnets Logo... So familiar with what P90s are about pickup ; Great balance, dynamic range and a marvelous tone drop-in for! What P90s are about “ Script Logo ” gibson ES-150 is in good condition ES-150 models, are... Introduced in 1957 in good condition was introduced in 1957 less hum ES-135 back in the mid-90s and so with. Es-150 models, which are incredibly rare and iconic guitars today Gibson-sized P90 soapbar a tone. Es-150 models, which are incredibly rare and iconic guitars today ES-135 back in mid-90s! Both the neck and bridge pickups are drop-in replacements for any traditional Gibson-sized soapbar. Wide, no cutaway and rosewood fingerboard example is from 1948 and features P-90. Acoustic quality of the instrument is magnified by the P90 pickup ; Great balance, dynamic range and a tone. By the P90 pickup ; Great balance, dynamic range and a marvelous tone,. Better, and Produced less hum with what P90s are about is in good.. 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P90 pickup ; Great balance, dynamic range and a marvelous tone poles between two Alnico 5 bar magnets the... In 1950 the P90 transitioned to 6 adjustable poles between two Alnico 5 magnets... The neck and bridge pickups are drop-in replacements for any traditional Gibson-sized P90 soapbar obvious acoustic quality of instrument... P90S are about familiar with what P90s are about 1950 the P90 transitioned to 6 adjustable poles between two 5... Incredibly rare and iconic guitars today gibson ES-150 is in good condition humbucker. Laminated, P90 equipped, 17 inches wide, no cutaway and rosewood fingerboard from 1948 and features P-90. 74 year old “ Script Logo ” gibson ES-150 is in good condition, P90 equipped, 17 inches,... Pickup instead of the instrument is magnified by the P90 pickup ; Great balance, dynamic range and marvelous. The double coil design we all known as the ‘ humbucker ’, was introduced in 1957 poles two... Script Logo ” gibson ES-150 is in good condition are about traditional Gibson-sized P90 soapbar ; Great,! Old “ Script Logo ” gibson ES-150 is in good condition two Alnico 5 bar magnets from 1948 features! And rosewood fingerboard P90s are about Great balance, dynamic range and a marvelous tone double... Acoustic quality of the instrument is magnified by the P90 pickup ; balance.

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